John Hitchcock is an Artist, Professor of Art and Associate Dean of Arts at the University of Wisconsin-Madison. Professor Hitchcock has served as Faculty Director of The Studio Learning Community and Art Department Graduate Chair. He is an award-winning artist who uses the print medium to explore relationships of community, land, and culture. He has taught printmaking at UW-Madison since 2001. Prior to that he was at the University of Minnesota, Morris. He holds a Master of Fine Arts degree from Texas Tech University.
Hitchcock has been the recipient of The Robert Rauschenberg Foundation Artistic Innovation and Collaboration grant, New York; Jerome Foundation Grant, Minnesota; the Creative Arts Award, Emily Mead Baldwin Award in the Creative Arts and the Kellett Mid-Career Award at the University of Wisconsin. Hitchcock’s artwork has been exhibited at numerous venues including the International Print Center New York, New York; Museum of Contemporary Native Arts, Santa Fe, New Mexico; Museum of Wisconsin Arts, West Bend, Wisconsin; The Rauschenberg Project Space, New York, New York; “Air, Land, Seed” on the occasion of the Venice Biennale 54th International Art at the University of Ca’ Foscari, Venice, Italy. Solo exhibition includes the American Culture Center in Shanghai, Shanghai, China; Portland Art Museum, Portland, Oregon; Missoula Art Museum, Missoula, Montana; Mulvane Art Museum, Topeka, Kansas; Plains Art Museum, Fargo, North Dakota, The Museum of Contemporary Native Arts, Santa Fe, New Mexico; American Indian Community House Gallery, New York, New York; North Dakota Museum of Art, Grand Forks, North Dakota.
John Hitchcock uses the print medium with its long history of commenting on social and political issues to explore his relationships to community, land, and culture. Hitchcock’s artwork consists of abstract representations, mythological hybrid creatures (buffalo, Owl, horse, deer) and military weaponry (tanks, bombs and helicopters). His artworks are based on his childhood memories and stories of growing up in the Wichita Mountains of Oklahoma on Comanche Tribal lands next to the US field artillery military base Ft Sill. Many of the images are interpretations of stories told by his Kiowa/Comanche grandparents and abstract representations influenced by beadwork, land, and culture.
Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever